This ceramic work is a great example of how text can be used for both a narrative and decoration. It reminds me of Islamic art since it has no imagery work that can cause a distraction for viewers. I think that the overlapping of text and circles work well together since it creates depth and movement. And the top and button border help viewers focus on the center.
"Panel of four calligraphic tiles [Morocco] (1999.146)". In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–. http://www.metmuseum.org/toah/works-of-art/1999.146 (October 2006)
The overall shape of this ceramic work is interesting; it has a strong feet for balance; the geometric shapes follow the contour of the cylinder. In addition, what I find most appealing about this work is how it has a unique style when compared with other ceramic cylinders made in the U.S.
"Bottle [Caddoan peoples; Arkansas] (1978.412.85)". In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–. http://www.metmuseum.org/toah/works-of-art/1978.412.85 (October 2006)
I enjoy how the exterior surface of this work has painted symbols that might represent the once powerful city of Teotihuacan. And based on the repetition of the symbols there is no doubt that the maker was enforcing its culture. The three small feet give the work also an aesthetic interest.
"Tripod Vessel [Mexico; Teotihuacan] (1979.206.364)". In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–. http://www.metmuseum.org/toah/works-of-art/1979.206.364 (October 2006)
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